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Crop Over Festival: Nostalgia Through the Economist’s Lens 

Article by Keisha Blades

Since the 18th century, the Crop Over Festival has captivated Barbados annually, typically taking center stage for several weeks and culminating in August. Originally marking the end of the sugar cane harvest, Crop Over has evolved into one of the island’s most significant cultural events. For myself and many others, Crop Over is more than a festival; it is a deep-rooted tradition reflecting Barbados’ rich cultural heritage. It has become a shared identity, uniting all who immerse themselves in this unique, dynamic mosaic of experiences. More than just a cultural spectacle, Crop Over is a major economic driver. It attracts a flood of regional and international visitors, generating substantial revenue. According to then Prime Minister Freundel Stuart in a 2012 article by the Barbados Government Information Service (GIS), Crop Over brings in around BDS$80 million, making it a significant revenue earner even during a recession. As Crop Over celebrates its 50th anniversary this year, I feel a wave of nostalgia along with a desire to share my perspective through an economist’s lens. Join me as I delve into the diverse perspectives on the festival, ranging from the sentimental to the economic. 

The Sentimental Perspective

My earliest memories of the festivities encapsulate pulsing sweet soca music, the annual tradition of the open-air Bridgetown Market with numerous stalls selling intricate local handmade crafts, aromatic foods, and refreshing drinks/snow-cones, a multitude of lively fetes, and the Visual Arts Festival and its exhibitions showcasing Barbadian heritage through dance, music, and theatrical performances. The highlight was the colourful parade of elaborate costumes glimmering in the sunlight, on Grand Kadooment, the grand finale of the festival. As a child, I fondly recall watching my mother adorned in exquisite costumes, eagerly anticipating the moment when I could wear the pieces of her ensemble. Each year, receiving these vibrant jewelled and sequined costume pieces became a cherished highlight. Wearing them for my own parade, and the days that followed, felt like Kadooment Day every day. From then, I knew Crop Over was something I wanted to be part of. From a child masquerading in Kiddies Kadooment to an adult showcasing the most exotic costume designs, it’s safe to say that Crop Over has become an integral part of my life.

The Economist’s Lens

The exhibitoin showcases 50 years of art in tribute to the Crop Over Festival.

As my perspective shifted from consumer to analyst, my view of Crop Over expanded to include a keen interest in its economic dimensions. This vibrant festival serves as a distinct cultural and social platform that has grown in significance, continually generating opportunities and stimulating economic activity across various sectors. Local vendors and artisans reap significant benefits as the festival provides a platform to showcase and sell their goods. This creates a ripple effect, stimulating various sectors of the economy and offering numerous job prospects, from retail to event planning and logistics. The season is also incredibly lucrative for a wide range of creative, skills-based services. It generates income opportunities for musicians, singers, songwriters, DJs, choreographers, dancers, Kadooment bands, costume designers, and make-up artists, among others. Additionally, the influx of travellers increases the demand for accommodation, specialty foods, beverages, entertainment, retail shopping, guided tours, and transportation. This economic activity fosters growth and employment across multiple industries. Yet, the dynamic ripple effect typically generated by Crop Over was starkly absent during the two years it was cancelled due to the COVID-19 pandemic. The contrast was palpable, highlighting just how vital the festival is to the community’s economic health. Former Central Bank Governor Mr. Cleviston Haynes emphasized the pivotal role of Crop Over in driving economic activity, foreign exchange earnings, spending, and tourism—the backbone of our economy. As a result, the consecutive cancellation of Crop Over had a profound impact, leading to substantial annual revenue losses across various sectors and further slowing down the country’s economic recovery. This period was characterized by a careful weighing of pros and cons, with efforts focused on navigating the pandemic cautiously despite its significant economic repercussions. The next year, in his economic review for January to June 2022, former Governor Haynes reiterated the positive impact of Crop Over, saying, “Even without an influx of visitors, Crop Over generates significant economic activity. The events over the past few weeks show that these festivities positively impact the economy, and I expect this will contribute to overall growth for the rest of the year.” As expected, the Central Bank of Barbados’ Review of Barbados’ Economic Performance for 2023 reported an estimated growth of 4.4 percent. This growth was primarily driven by tourism, “bolstered by the vibrant revival of the Crop Over festivities”, among other factors (Central Bank of Barbados, 2024).

The Intersection of Sentimentality and Economics

When it comes to decision-making in festival planning, pricing, and marketing, economic considerations play a pivotal role. Organizers must strike a delicate balance between honouring the event’s historical and emotional significance while ensuring it remains financially sustainable. This balance is not always easy to achieve, as decisions about ticket pricing, sponsorships, and marketing strategies can profoundly impact attendance and community engagement. Finding this balance has grown increasingly challenging due to a myriad of unforeseen events such as geo-political conflicts, natural disasters, climate change, elevated foreign interest rates, and technological disruptions caused by cyber-attacks. In a recent IMF Working Paper, Cevik and Gwon (2024) asserted, “the impact of weather shocks on supply chains and inflation dynamics is likely to become more pronounced with accelerating climate change.” For Crop Over consumers, this means inflation continues to chip away at their purchasing power, making it harder to keep up with rising costs. For Crop Over suppliers, this situation forces a tough choice: either absorb the additional costs themselves or pass them on to consumers. Additionally, finding sponsors becomes increasingly difficult as they too are faced with constrained budgets.

In the realm of festivals and cultural celebrations, conflicts often arise between the desire to preserve tradition and the drive to maximize economic returns. Traditional practices and rituals may clash with modern economic realities, leading to tough decisions about whether to adapt or compromise cherished customs for commercial success. After half a century, Crop Over has flourished and transformed, now poised to truly reach its full potential. With this in mind, stakeholders understand the importance of moving to a route featuring wider roads, ample space for vendors and spectators, and a layout that can be efficiently managed by the police and defence force. This was highlighted by Jason Thompson, President of the Barbados Association of Masqueraders. These decisions aren’t just about the merriment of the masqueraders; they also focus on the economic well-being and livelihood of the vendors. This is particularly crucial since vendors were hit hard in 2021 when the route was moved to the ABC highway. In essence, the intersection of sentimentality and economics in festival management underscores a complex interplay of values, priorities, and practical considerations. Successfully navigating this intersection requires a nuanced understanding of both cultural significance and economic dynamics, ensuring that the festival not only survives but thrives in the face of evolving challenges.

Finding Balance

Experiencing Crop Over from a consumer’s perspective is a joyous dive into a cherished tradition. However, an economic analysis offers a different lens. Behind the scenes, there’s a complex web of financial considerations—budgeting, pricing strategies, sponsorship deals, and logistical costs. While consumers revel in the festivities, organizers grapple with balancing emotional resonance and economic viability. A balancing act that is no small feat. From ticket prices to vendor fees, every decision impacts the festival’s financial health and sustainability. 

Reflection

Reflecting on my experiences, my view of Crop Over has evolved. Initially, I was captivated purely by the sensory delight and emotional connection. Over time, as I’ve come to understand the economic intricacies, I appreciate the festival’s resilience and adaptability even more. It is a complex economic entity requiring meticulous planning and strategic financial decisions to thrive.

Crop Over epitomizes the heart and soul of Barbados, showcasing our creativity, and community spirit. Its continued success hinges on our ability to innovate while preserving its unique essence. More than just a festival, Crop Over celebrates our identity and enduring spirit. By navigating future challenges and opportunities, we can ensure it remains a beloved tradition for generations to come.

Culture

Barbados Participates In International Conference On Cultural Heritage

A three-member Barbadian delegation is in Nairobi, Kenya, attending the International Conference on Cultural Heritage in Africa: A Dialogue on the Concept of Authenticity, which aims to foster an exchange of research, experience, knowledge, and observations.

The members of  the delegation are Steve Devonish, Chair of the Barbados World Heritage Committee and Site Manager for Historic Bridgetown and its Garrison; Alissandra Cummins, Deputy Chair of the Barbados World  Heritage Committee; and Dr. Sheron Johnson, Focal Point for Historic Bridgetown and its Garrison.

The four-day conference is a significant event dedicated to repositioning and redefining the concepts of authenticity and integrity in the context of African heritage. It is organised by UNESCO, in collaboration with the Government of the Republic of Kenya and the African World Heritage Fund, and has brought together heritage experts, government officials, local communities, non-governmental organisations, and academics from across Africa and the world.

Barbados, as the only Caribbean country to present at the conference, has been welcomed wholeheartedly by the Director of the World Heritage Centre, Lazare Eloundou Assomo, organisers of the conference, and other African countries.  

The delegation, at the request of the Director, spoke to the outcomes of the conference having implications for small island developing states such as Barbados, as much of our heritage has linkage with Africa.

The meeting also seeks to address the gap between global heritage frameworks and African realities, particularly how authenticity and integrity are defined and applied. Its importance lies in the current application of authenticity, which has a European slate and negates African ecological realities, communities and  landscapes.

Africa is home to an extraordinary wealth of cultural and natural heritage, yet it remains underrepresented on the World Heritage List. Currently, African sites make up only 12.26 per cent of the 1,223 World Heritage properties globally, despite the continent’s significance as the cradle of humanity. Additionally, it has the highest number of endangered heritage sites worldwide.

While in Kenya, the delegation, led by Mr. Devonish, paid a visit to the High Commission for Barbados in Kenya and engaged in fruitful discussions with the High Commissioner William McDonald on ways to  further deepen the relation between Barbados and African States on matters of  heritage, support for Barbados’ future plans at the World Heritage Centre, and ways the Division of Culture can support the Mission’s outreach to the Kenyan population. (PR/GIS)

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Culture

Clarification Of Investment Target For We Gatherin’ 2025

As the We Gatherin’ initiative continues in full stride, we take this time to thank those members of corporate Barbados who have committed to helping us reach our target of $5,000,000 (five million) in support and investment, whether cash or in kind.

So far, we have secured $500,000 from businesses across the island, and we continue to encourage other private sector entities to contribute to this historical initiative, that not only brings our society closer together but that will provide much needed assistance to programs that will benefit our youth, helping to steer us through troubled times to a better, more peaceful and prosperous Barbados for all.

After the recently concluded church service at St. Anne’s Church in St. Joseph, Senator Dr. Shantal Munro-Knight was keen to speak on the progress towards reaching this target.

“During my address, I inadvertently mentioned a figure of $5 million in private sector donations. That number reflects our aspirational goal, not the current reality. To clarify, we have presently secured $500,000 in contributions toward this initiative. We remain deeply grateful for the support received thus far and continue to encourage additional private sector partners to join us in this important national effort.”

We Gatherin’ 2025 continues with events and activities in St. Joseph for the month of April and moving on to St. John in May. (PR/GIS)

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Culture

We Gatherin’ Activities Launched In Boston Over The Weekend

The spirit of Barbados was alive last Saturday, March 22, as the Consulate General of Barbados in New York, in partnership with the Barbados Tourism Marketing Inc. (BTMI), officially launched the ‘We Gatherin’ 2025 series in Boston.

According to Consul General Lorenzo Harewood, the event, held at the Sorrel and Lime place, was a spectacular showcase of Barbadian culture, bringing together scores of Barbadians and friends of Barbados for an unforgettable experience.

“Attendees were immersed in the rich sights, sounds, and flavours of the island, enjoying pulsating local music, mouthwatering Bajan cuisine, and a vibrant marketplace filled with stalls owned by Barbadian entrepreneurs,” he said.

He noted that from handcrafted souvenirs to locally made products, the event provided a platform for businesses to connect with the diaspora and promote authentic Barbadian goods.

The Consul General said that the energy in the room was electric as Barbadians, young and old, reunited with friends, made new connections, and celebrated their shared heritage.

A major highlight of the evening was the exciting giveaways, including exclusive discounted travel packages and the grand prize won by Carson Straughn – a trip for two to Barbados. The winners were thrilled at the chance to visit their homeland and immerse themselves in all that the island has to offer.

Mr. Harewood stated that the successful launch marked the beginning of what promises to be an exhilarating ‘We Gatherin’ 2025’ series.

“With overwhelming support and enthusiasm from attendees, the celebrations are set to continue in Connecticut, and Philadelphia, and culminate in a grand finale in New York throughout April and May. Many attendees have pledged to follow the journey, eager to experience more of the warmth, culture, and togetherness that define the Barbadian spirit,” he remarked.

The Consul General added: “The partnership between the Consulate and BTMI underscores a shared commitment to strengthening connections between Barbados and its diaspora while promoting the island as a premier destination for both leisure and business.

“As the excitement builds, Barbadians across generations are encouraged to join the movement, return home, and take part in the national festivals and activities happening throughout 2025.”

During the event, a brief intermission provided an opportunity to recognise outstanding professional achievements. Mr. Harewood took to the stage to present the prestigious Professional Achievement Award to Professor Cardinal Warde, a distinguished faculty member at the Massachusetts Institute of Technology in the Department of Electrical Engineering and Computer Science.

Professor Warde is widely regarded as a leading expert in optical information processing and display technologies. His extensive contributions to the field include over 150 technical papers, co-editorship of a book, and co-authorship of three book chapters on optical materials and devices. 

Beyond academia, his innovative work is reflected in 12 patents related to spatial light modulators, displays, and optical information processing systems, solidifying his influence in advancing cutting-edge optical technologies. (PR/GIS)

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