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LAST LAP WEEKEND – Ended with Pic-o-de-Crop Finals, Foreday Jump and Kadooment

AN INCIDENT FREE FESTIVAL By David Harris

After two months of activities that included early morning breakfast fetes and late-night parties, the golden anniversary of the Crop Over Festival ended with the Grand Kadooment on Monday. 

 Over 10.000 revellers in 18 bands danced on the new route which began at the Helipad in Bridgetown and ended in front of Kensington Oval. The street parade was changed its 9 a.m. start to 10 a.m. by the National Cultural Foundation after the Barbados Meteorological Service placed the island under a severe thunderstorm watch. 

Eventually, the Blue Box Cart band got the parade moving at 10.07 and the masqueraders began wining and chipping on the streets of Bridgetown.  

 

Only 13 of the 18 bands on parade judged, among the revellers were Barbadian superstar and National Hero, the Right Excellent Robin Rihanna Fenty and former West Indies captain Brian Lara.  

Some bands were still heading towards the Mighty Grynner Highway just before at minutes to 9 o’clock. Aura was the last band to reach the highway before the police ended the parade.    

    The Grand Kadooment ended an action-packed weekend that included the Pic O De Crop Finals at the National Botanical Gardens in Waterford on Friday night, the Foreday Morning Jam which began in Bridgetown in the wee hours of morning and the Grand Kadooment on Monday. 

Adinkra revellers

Fans were primed for thrilling contest between the defending monarch IWeb (Ian Webster) and Adrian “AC” Clarke who placed second in last year’s Pic O De Crop competition; but it was AC who captured the crown for the third time after IWeb who appeared to have  forgotten the  lyrics of the De Village Ram in the second half of the competition. 

 Clarke performed at number 16 (immediately behind IWeb) and stamped his authority on the competition with an impressive performance of the self-penned Going Fuh Crown, the judges awarded him 133 points, 28 more than Sir Ruel who came second.

 Adrian Clarke the 2024 Calypso Monarch

His impressive performance won the first prize of $100,000 or a Nissan E Powe X- Trail valued at $136,000; Clarke told journalists after the competition he had opted to take the vehicle instead of the prize money. Clarke, 52, first won the crown in 2001 and in 2008. 

Sir Ruel was the most outstanding performer in the first half with A Single Bullet, he wrote the calypso in memory of his brother Dario Jon-Luc Holder-Branch who was shot to death in February this year. The former Junior Monarch amassed 105 points and won a cash prize of $40,000. 

Sir Ruel, Pic of de Crop, 2nd place winner

   Perennial finalist Chrystal Cummins-Beckles placed third with De Proposal, the multi-talented musician, arranger and composer was awarded 97 points and the $20,000 prize. 

Billboard placed fourth for the second consecutive his calypso earned him a cash prize of $15,000; and first timer Tae, the youngest competitor in the final took the fifth position and $10,000 with A Big Cirus. 

Calypsonians placing from the sixth to tenth position received $8,000 each, those coming 11 th to 18 th got $6000. 

The competition started 51 minutes after the scheduled 8 p.m. due to technical hitches with video presentations, and one contestant (Kid Site) had to start over his song because of problems with the audio. The second half started just after midnight and ended at 2.10 a.m. 

In commemoration of the 50 th anniversary of the Crop Festival there were performances by former monarchs the Mighty Destroyer. Red Plastic, the Mighty Gabby and Edwin Yearwood.   

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BEADING WORKSHOP FINISHES TODAY


Bishop Tarambawamwe runs Master Wire and Beadcraft, a South African company specialising in providing high-quality bead and wire products to both the local and international market. From growing up in Zimbabwe playing with wire cars as a child, to taking inspiration from nature for his amazing designs, he now brings his expertise to Barbados. The workshop features an all female group who will benefit from hands on training while learning how to monetise their new skillset on the way to becoming entrepreneurs.

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International Songwriting Camp

Twenty-eight cultural practitioners have reaped significant benefits from the International Songwriting Camp produced by the National Cultural Foundation (NCF).


Following intense practical, developmental and professional exercises facilitated by local and global premiers, the NCF-registered practitioners now have an increased understanding of the craft of global song writing, knowledge of publishing and songwriting, placements, licensing, and synching among other areas.


The sessions were held between September 30 and October 5, at the Lloyd Erskine Sandiford Centre where participants and producers had access to portable studios to turn penned lyrics into musical renditions of different beats and genres.


On Wednesday, the participants went on a field trip and were required to write a song for a commercial.

And on Saturday night, a listening session was held at the Sage Bar and Stage featuring the songs written and produced during the camp.


Singer and songwriter Casheda Dottin said she was grateful for the opportunity to participate in the comprehensive camp which has left her with a wealth of knowledge and skills which will take her career to another level.

“I am grateful to the NCF for bringing about this initiative to help creators improve their craft. It was such a phenomenal experience because not only were we able to do songwriting workrooms where we were working with different people, but every day we were able to experience working with different producers,” Dottin said.

She added: “And it was also interesting to see how I was able to gel with other writers and singers to create music. It was far from easy and sometimes it was very intense but we were all still able to work together to produce some wonderful music.”


Singer-songwriter and multi-instrumentalist Marley Kirton said it was an amazing experience obtaining advice and gaining knowledge from experienced professionals in the field.

“But at the same time it was so powerful to get to collaborate with local artistes who are established, growing, or trying to discover their careers. This camp is a reminder of the potential and talent among the younger generation here on the island.  My biggest lesson is learning not to hide my talents and that you should share them with those around you,” Kirton said.


The NCF came in for high praise for hosting the first songwriters camp of its kind which supports the realistic execution to reach the global standard which lends to reciprocation to earning sustainable income and reaching international standards.


Grammy Award-winning producer and composer Che Pope commended the NCF for investing in its creators.

“I don’t know if you realise that this is luxury. Many countries don’t have a ministry of culture and an NCF. There are only so many countries that invest in and care about the talent and the arts in their country.

“The US [United States] does not have a ministry of culture, the US does not give grants like Canada and places like Barbados. I hope you guys understand the opportunity that’s at hand,” Pope advised.


Composer, songwriter and producer Henk Pool was also impressed that the Government is investing in its talented young people.

Pool said while he would have passed on knowledge to the participants, he also benefited from interacting with them.

“I think the openness, warmth and talent of people was amazing. I travel around the world facilitating song writers’ camps everywhere and I would love to see Barbados song writers travelling around the world because the talent is absolutely there. They just need the chance to network and that’s why I love the Barbados government for doing this,” Pool said.


United Kingdom songwriter, producer and multi-instrumentalist Josh Wunderlich, signed to DWB Music, said this was his first time visiting Barbados and noted that working with the cultural practitioners during the camp helped him to gain a wealth of knowledge about the island’s culture.

“We have been sharing ideas and creating songs that are completely unique. No one has ever heard anything like the music created during the camp because this hasn’t been done before,” Wunderlich said.


Meanwhile, Business Development Officer, Music and Music for Film, at the NCF, Lisa Howell, said the successfully executed camp was well-received by the cultural practitioners who began reaping results from the first day.

Howell said the practitioners are now in a better position to write and produce internationally marketable songs.

“So I would say yes we met our goal for this round and hopefully we have the support to continue to facilitate programmes like this. Barbados rose to the occasion. I am really thankful that we had some of our local premier producers and songwriters facilitating. We had Dr Stedson ‘RPB’ Wiltshire who was so invested in showing up every day,” Howell said.

The business development officer added: “We had local producers like Dwain Antrobus, Peter Coppin, Darien Bailey and Simon Pipe who were also facilitators. So we not only brought in global experts in their field, but we also showed our own local premier practitioners in their respective fields and that made us feel good as the National Cultural Foundation.”  (PR)

Caption: from left to right – Singer/Songwriter Munirah Nailah, Gospel Artiste/Songwriter/Producer James Cumberbatch, Singer/Songwriter Dania, DWB Songwriter/Producer Pete Barringer, Songwriter/Producer/ Gospel Art

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BPS Crop Over Do-Flicky Costume Competition Winners Announced

Five winning teams have emerged from the recently held prize-giving ceremony of the inaugural ‘Barbados Postal Service (BPS) 2024 Crop Over Do-Flicky Costume Competition’.

The winners hail from the Post Offices of St. Joseph; St. George; Welches Road; St. Philip and the General Post Office in Cheapside.

The overall winner of the competition is the eight-member team of the General Post Office’s Accounts Section, who each received an Island Safari Tour. Second place went to the Welches Road Post Office, third was the St. Philip Post Office, fourth was the St. George Post Office and fifth place went to the St. Joseph Post Office.

Winning Teams (flanked by BPS management), of the inaugural ‘BPS Crop Over Do-Flicky Costume Competition’, from the GPO; Welches Road PO; St. Philip PO; St. George PO and the St. Joseph PO.

Postmaster General, Joann Busby, in her address to the winners, stated, “We look forward to many more events like this in the future, celebrating both our history and commitment to excellence.”

Concept Creator of the competition, BPS Marketing Officer Neiai Hall said, “This competition aims to showcase the creativity and cultural expression of our staff, through costume design and performance. The theme of the competition is rooted in our rich heritage and the vibrant spirit of Crop Over.

On left – ‘BPS Crop Over Do-Flicky Costume Competition’ 2nd Place Winning Costume, On right – ‘BPS Crop Over Do-FFlicky Costume Competition’ 3rd Place Winning Costume.

“We have encouraged participants to design costumes that not only display their creativity but also incorporate elements that represent the services offered by the BPS”.

The judging criteria consisted of Sustainability; Creativity; Depiction of a BPS Service; Originality; Portrayal; Video Creativity and Originality; Practicality and Inclusivity and Descriptive Write-Up. 

Plaques were presented to each of the winning teams and the St. Joseph Post Office also received the Postmaster General’s special award for Outstanding Advertising Video in the competition. (PR/GIS)

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