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NIFCA Belongs To All Barbadians

Minister in the Prime Minister’s Office with responsibility for Culture, Senator Dr. Shantal Munro-Knight, has underscored the importance of the National Independence Festival of Creative Arts (NIFCA) to the Barbadian landscape, saying its “birth” provides the space for the full expression of the arts.

Speaking during the launch of NIFCA 2023, under the theme 50 Years of Excellence Remembered, in Queen’s Park, Constitution Road, St. Michael last night, she stressed that the early builders of the festival, the late Jeanette Layne Clarke, her late husband Arden, and Elombe Mottley, made a “clarion call in 1973, for Barbadians to “value and see Barbadian arts by embracing the rhythms of our own culture”.

Senator Munro-Knight stated: “This was 1973… This was the birth… This was the context of NIFCA. It was a space in which we were now coming of age in our own national identity. 

…And in this context for me, it is no wonder that our Father of Independence (the late Prime Minister Errol Walton Barrow) and I got this quote from the preface of a publication of the New World Independence Issue, in which he said, ‘our total commitment now and for the future is nothing less than the social and cultural upliftment of our nation. In this challenging task, we know who we are, whence we came, and where we are heading.”’”

The Minister reasoned that the project of nationhood, as enunciated by then Prime Minister Barrow, was a call to bring Barbadians together from a social and cultural standpoint, to have the confidence to face the world and the challenges presented at that time.

Dr. Munro-Knight added that the birth of NIFCA in November 1973, provided the structured space for the expression of our arts, and for the “oppressed” to see themselves in a space in which they were valued and where they could “breathe, rest and sit in their own expressions”, but had now evolved from its early genesis.

“NIFCA had to evolve… The early themes we had about folk… and the resonance within schools and community involved…complex themes that reflected what we have faced and what we are still facing, climate change…domestic violence, and things that we didn’t want to say out loud, the NIFCA stage provided expression for…” she stated.  

The Minister continued: “It created a mirror for us to look at our societies and say things that we were perhaps a little bit uncomfortable with and perhaps, that is the job of the arts. But the impact of NIFCA goes beyond just the performance that we see on the stage. It goes just beyond the prizes, and even the acknowledgement. For me, there is the intrinsic value, as I said before, of us being able to celebrate our culture and the people that live it, breathe it and then express it for us…”

Senator Dr. Munro-Knight added that NIFCA belongs to the people of Barbados, as “Barbadians from all walks of life”, can see themselves represented on the NIFCA stage.

There was also an address from the Chairman of the National Cultural Foundation, Dr. Jasmine Babb, video testimonials from the past, and entertainment.  

Prior to the start of the official launch, actor Victor Clifford narrated a piece on the history of NIFCA, as patrons strolled across the courtyard and entered the Daphne Joseph Hackett Theatre. (PR/GIS)

Culture

BEADING WORKSHOP FINISHES TODAY


Bishop Tarambawamwe runs Master Wire and Beadcraft, a South African company specialising in providing high-quality bead and wire products to both the local and international market. From growing up in Zimbabwe playing with wire cars as a child, to taking inspiration from nature for his amazing designs, he now brings his expertise to Barbados. The workshop features an all female group who will benefit from hands on training while learning how to monetise their new skillset on the way to becoming entrepreneurs.

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Culture

International Songwriting Camp

Twenty-eight cultural practitioners have reaped significant benefits from the International Songwriting Camp produced by the National Cultural Foundation (NCF).


Following intense practical, developmental and professional exercises facilitated by local and global premiers, the NCF-registered practitioners now have an increased understanding of the craft of global song writing, knowledge of publishing and songwriting, placements, licensing, and synching among other areas.


The sessions were held between September 30 and October 5, at the Lloyd Erskine Sandiford Centre where participants and producers had access to portable studios to turn penned lyrics into musical renditions of different beats and genres.


On Wednesday, the participants went on a field trip and were required to write a song for a commercial.

And on Saturday night, a listening session was held at the Sage Bar and Stage featuring the songs written and produced during the camp.


Singer and songwriter Casheda Dottin said she was grateful for the opportunity to participate in the comprehensive camp which has left her with a wealth of knowledge and skills which will take her career to another level.

“I am grateful to the NCF for bringing about this initiative to help creators improve their craft. It was such a phenomenal experience because not only were we able to do songwriting workrooms where we were working with different people, but every day we were able to experience working with different producers,” Dottin said.

She added: “And it was also interesting to see how I was able to gel with other writers and singers to create music. It was far from easy and sometimes it was very intense but we were all still able to work together to produce some wonderful music.”


Singer-songwriter and multi-instrumentalist Marley Kirton said it was an amazing experience obtaining advice and gaining knowledge from experienced professionals in the field.

“But at the same time it was so powerful to get to collaborate with local artistes who are established, growing, or trying to discover their careers. This camp is a reminder of the potential and talent among the younger generation here on the island.  My biggest lesson is learning not to hide my talents and that you should share them with those around you,” Kirton said.


The NCF came in for high praise for hosting the first songwriters camp of its kind which supports the realistic execution to reach the global standard which lends to reciprocation to earning sustainable income and reaching international standards.


Grammy Award-winning producer and composer Che Pope commended the NCF for investing in its creators.

“I don’t know if you realise that this is luxury. Many countries don’t have a ministry of culture and an NCF. There are only so many countries that invest in and care about the talent and the arts in their country.

“The US [United States] does not have a ministry of culture, the US does not give grants like Canada and places like Barbados. I hope you guys understand the opportunity that’s at hand,” Pope advised.


Composer, songwriter and producer Henk Pool was also impressed that the Government is investing in its talented young people.

Pool said while he would have passed on knowledge to the participants, he also benefited from interacting with them.

“I think the openness, warmth and talent of people was amazing. I travel around the world facilitating song writers’ camps everywhere and I would love to see Barbados song writers travelling around the world because the talent is absolutely there. They just need the chance to network and that’s why I love the Barbados government for doing this,” Pool said.


United Kingdom songwriter, producer and multi-instrumentalist Josh Wunderlich, signed to DWB Music, said this was his first time visiting Barbados and noted that working with the cultural practitioners during the camp helped him to gain a wealth of knowledge about the island’s culture.

“We have been sharing ideas and creating songs that are completely unique. No one has ever heard anything like the music created during the camp because this hasn’t been done before,” Wunderlich said.


Meanwhile, Business Development Officer, Music and Music for Film, at the NCF, Lisa Howell, said the successfully executed camp was well-received by the cultural practitioners who began reaping results from the first day.

Howell said the practitioners are now in a better position to write and produce internationally marketable songs.

“So I would say yes we met our goal for this round and hopefully we have the support to continue to facilitate programmes like this. Barbados rose to the occasion. I am really thankful that we had some of our local premier producers and songwriters facilitating. We had Dr Stedson ‘RPB’ Wiltshire who was so invested in showing up every day,” Howell said.

The business development officer added: “We had local producers like Dwain Antrobus, Peter Coppin, Darien Bailey and Simon Pipe who were also facilitators. So we not only brought in global experts in their field, but we also showed our own local premier practitioners in their respective fields and that made us feel good as the National Cultural Foundation.”  (PR)

Caption: from left to right – Singer/Songwriter Munirah Nailah, Gospel Artiste/Songwriter/Producer James Cumberbatch, Singer/Songwriter Dania, DWB Songwriter/Producer Pete Barringer, Songwriter/Producer/ Gospel Art

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Culture

BPS Crop Over Do-Flicky Costume Competition Winners Announced

Five winning teams have emerged from the recently held prize-giving ceremony of the inaugural ‘Barbados Postal Service (BPS) 2024 Crop Over Do-Flicky Costume Competition’.

The winners hail from the Post Offices of St. Joseph; St. George; Welches Road; St. Philip and the General Post Office in Cheapside.

The overall winner of the competition is the eight-member team of the General Post Office’s Accounts Section, who each received an Island Safari Tour. Second place went to the Welches Road Post Office, third was the St. Philip Post Office, fourth was the St. George Post Office and fifth place went to the St. Joseph Post Office.

Winning Teams (flanked by BPS management), of the inaugural ‘BPS Crop Over Do-Flicky Costume Competition’, from the GPO; Welches Road PO; St. Philip PO; St. George PO and the St. Joseph PO.

Postmaster General, Joann Busby, in her address to the winners, stated, “We look forward to many more events like this in the future, celebrating both our history and commitment to excellence.”

Concept Creator of the competition, BPS Marketing Officer Neiai Hall said, “This competition aims to showcase the creativity and cultural expression of our staff, through costume design and performance. The theme of the competition is rooted in our rich heritage and the vibrant spirit of Crop Over.

On left – ‘BPS Crop Over Do-Flicky Costume Competition’ 2nd Place Winning Costume, On right – ‘BPS Crop Over Do-FFlicky Costume Competition’ 3rd Place Winning Costume.

“We have encouraged participants to design costumes that not only display their creativity but also incorporate elements that represent the services offered by the BPS”.

The judging criteria consisted of Sustainability; Creativity; Depiction of a BPS Service; Originality; Portrayal; Video Creativity and Originality; Practicality and Inclusivity and Descriptive Write-Up. 

Plaques were presented to each of the winning teams and the St. Joseph Post Office also received the Postmaster General’s special award for Outstanding Advertising Video in the competition. (PR/GIS)

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