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NIFCA celebrates 50th year on full return

After a two year pandemic-induced hiatus, and an abridged staging in 2022, The National Independence Festival of Creative Arts (NIFCA) is back in full swing for its golden anniversary!

“We’re happy for the return of the island’s premier cultural showcase,” said Andrea Wells, Chief Cultural Officer at the National Cultural Foundation (NCF). “We want to thank all Barbadians for their support over the last few years ‘in the wilderness.’ And we extend an invitation to all of them to participate in the various creative disciplines on offer.”

The creative categories available for entry are Visual Arts (Fine Arts, Craft, Photography); Literary Arts; Culinary Arts; Theatre Arts; Dance; Film & Video; and Music. Barbadians of all ages and skill levels are eligible to enter these competitions as individuals – or as groups and schools where stated upon registration.  

Numerous cash prizes and trophies will be up for grabs in the final stage of competition in each discipline. “On this historical occasion, we have included additional prizes on top of our usual honours,” said Mrs. Wells. “For example, we have included the 50th Anniversary of NIFCA Award, The “Barbados Landship Award” in recognition of this indigenous cultural organisation’s 160th Anniversary” and the Business Entrepreneurs Prize valued at $15,000.”

The festival will continue its exploration of national cultural identity through precise criteria which encourages the best effort from each participant’s expression, regardless of the specified artistic medium.

For instance, through the Literary Arts, adult and junior entrants are invited to submit poems, essays and short stories tackling the theme ‘Barbados: The Republic’ within the context of identity, evolution and legacy. The winning entries for adults will be featured in a commemorative publication celebrating 50 years of NIFCA. The literary work of the triumphant juniors will win a published anthology in their school’s name.

In the Culinary Arts category, local chefs are invited to showcase unique takes on confectionaries, preserves, baked goods, cocktails and ice-creams and desserts. “Whoever has the best use of local flours will win a special prize,” said the CCO.

Junior and adult filmmakers in Film & Video can tell their unique Bajan stories through Narrative Fiction, Documentary, Animation or Music Video. They also have the option to participate in the NIFCA 2023 Seven-Day Film Challenge, which takes place from Friday, October 27th to Friday, November 3rd. 

Along with the usual platform of performances, the Music competition will feature three unique challenges for amateur artistes, songwriters, instrumentalists and producers across the island. The first welcomes the submission of original vocal and instrumental works from soloists, duos, and school and community groups. The second challenge encourages instrumentalists and vocalists to submit a cover of one of four productions from great Barbadian musicians. The options are Andre Woodvine’s “Hold You In A Song,” Arturo Tappin’s “Breaking Up,” Romaro Greave’s “Big People Party” and Nicholas Brancker’s “Nicalypso”.

The final trial lets musicians, arrangers, and beat makers fly their creative flag; welcoming submissions that put their own unique twist on a favourite local song (two or more changes to the arrangement must be done).

“This will be a special time,” said Mrs. Wells. “Fifty years of NIFCA, fifty-seven years of Independence, and our third year as a republic.”

She continued: “The spark of NIFCA was ignited by the spirit of independence. And as that flame burns bright, through our new era as a republic, we must continue our tradition of striving for excellence.”

For competition rules and registration for the National Independence Festival of Creative Arts, visit the National Cultural Foundation online at www.ncf.bb.

Deadlines for submissions to the Music, Dance, Theatre Arts, Visual Arts and Culinary Arts categories have been extended to Sunday, October 15th at 11:59PM.

For more information contact the NCF via email at info@ncf.bb or call 417-6620. (PR)

Culture

Crop Over Festival: Nostalgia Through the Economist’s Lens 

Article by Keisha Blades

Since the 18th century, the Crop Over Festival has captivated Barbados annually, typically taking center stage for several weeks and culminating in August. Originally marking the end of the sugar cane harvest, Crop Over has evolved into one of the island’s most significant cultural events. For myself and many others, Crop Over is more than a festival; it is a deep-rooted tradition reflecting Barbados’ rich cultural heritage. It has become a shared identity, uniting all who immerse themselves in this unique, dynamic mosaic of experiences. More than just a cultural spectacle, Crop Over is a major economic driver. It attracts a flood of regional and international visitors, generating substantial revenue. According to then Prime Minister Freundel Stuart in a 2012 article by the Barbados Government Information Service (GIS), Crop Over brings in around BDS$80 million, making it a significant revenue earner even during a recession. As Crop Over celebrates its 50th anniversary this year, I feel a wave of nostalgia along with a desire to share my perspective through an economist’s lens. Join me as I delve into the diverse perspectives on the festival, ranging from the sentimental to the economic. 

The Sentimental Perspective

My earliest memories of the festivities encapsulate pulsing sweet soca music, the annual tradition of the open-air Bridgetown Market with numerous stalls selling intricate local handmade crafts, aromatic foods, and refreshing drinks/snow-cones, a multitude of lively fetes, and the Visual Arts Festival and its exhibitions showcasing Barbadian heritage through dance, music, and theatrical performances. The highlight was the colourful parade of elaborate costumes glimmering in the sunlight, on Grand Kadooment, the grand finale of the festival. As a child, I fondly recall watching my mother adorned in exquisite costumes, eagerly anticipating the moment when I could wear the pieces of her ensemble. Each year, receiving these vibrant jewelled and sequined costume pieces became a cherished highlight. Wearing them for my own parade, and the days that followed, felt like Kadooment Day every day. From then, I knew Crop Over was something I wanted to be part of. From a child masquerading in Kiddies Kadooment to an adult showcasing the most exotic costume designs, it’s safe to say that Crop Over has become an integral part of my life.

The Economist’s Lens

The exhibitoin showcases 50 years of art in tribute to the Crop Over Festival.

As my perspective shifted from consumer to analyst, my view of Crop Over expanded to include a keen interest in its economic dimensions. This vibrant festival serves as a distinct cultural and social platform that has grown in significance, continually generating opportunities and stimulating economic activity across various sectors. Local vendors and artisans reap significant benefits as the festival provides a platform to showcase and sell their goods. This creates a ripple effect, stimulating various sectors of the economy and offering numerous job prospects, from retail to event planning and logistics. The season is also incredibly lucrative for a wide range of creative, skills-based services. It generates income opportunities for musicians, singers, songwriters, DJs, choreographers, dancers, Kadooment bands, costume designers, and make-up artists, among others. Additionally, the influx of travellers increases the demand for accommodation, specialty foods, beverages, entertainment, retail shopping, guided tours, and transportation. This economic activity fosters growth and employment across multiple industries. Yet, the dynamic ripple effect typically generated by Crop Over was starkly absent during the two years it was cancelled due to the COVID-19 pandemic. The contrast was palpable, highlighting just how vital the festival is to the community’s economic health. Former Central Bank Governor Mr. Cleviston Haynes emphasized the pivotal role of Crop Over in driving economic activity, foreign exchange earnings, spending, and tourism—the backbone of our economy. As a result, the consecutive cancellation of Crop Over had a profound impact, leading to substantial annual revenue losses across various sectors and further slowing down the country’s economic recovery. This period was characterized by a careful weighing of pros and cons, with efforts focused on navigating the pandemic cautiously despite its significant economic repercussions. The next year, in his economic review for January to June 2022, former Governor Haynes reiterated the positive impact of Crop Over, saying, “Even without an influx of visitors, Crop Over generates significant economic activity. The events over the past few weeks show that these festivities positively impact the economy, and I expect this will contribute to overall growth for the rest of the year.” As expected, the Central Bank of Barbados’ Review of Barbados’ Economic Performance for 2023 reported an estimated growth of 4.4 percent. This growth was primarily driven by tourism, “bolstered by the vibrant revival of the Crop Over festivities”, among other factors (Central Bank of Barbados, 2024).

The Intersection of Sentimentality and Economics

When it comes to decision-making in festival planning, pricing, and marketing, economic considerations play a pivotal role. Organizers must strike a delicate balance between honouring the event’s historical and emotional significance while ensuring it remains financially sustainable. This balance is not always easy to achieve, as decisions about ticket pricing, sponsorships, and marketing strategies can profoundly impact attendance and community engagement. Finding this balance has grown increasingly challenging due to a myriad of unforeseen events such as geo-political conflicts, natural disasters, climate change, elevated foreign interest rates, and technological disruptions caused by cyber-attacks. In a recent IMF Working Paper, Cevik and Gwon (2024) asserted, “the impact of weather shocks on supply chains and inflation dynamics is likely to become more pronounced with accelerating climate change.” For Crop Over consumers, this means inflation continues to chip away at their purchasing power, making it harder to keep up with rising costs. For Crop Over suppliers, this situation forces a tough choice: either absorb the additional costs themselves or pass them on to consumers. Additionally, finding sponsors becomes increasingly difficult as they too are faced with constrained budgets.

In the realm of festivals and cultural celebrations, conflicts often arise between the desire to preserve tradition and the drive to maximize economic returns. Traditional practices and rituals may clash with modern economic realities, leading to tough decisions about whether to adapt or compromise cherished customs for commercial success. After half a century, Crop Over has flourished and transformed, now poised to truly reach its full potential. With this in mind, stakeholders understand the importance of moving to a route featuring wider roads, ample space for vendors and spectators, and a layout that can be efficiently managed by the police and defence force. This was highlighted by Jason Thompson, President of the Barbados Association of Masqueraders. These decisions aren’t just about the merriment of the masqueraders; they also focus on the economic well-being and livelihood of the vendors. This is particularly crucial since vendors were hit hard in 2021 when the route was moved to the ABC highway. In essence, the intersection of sentimentality and economics in festival management underscores a complex interplay of values, priorities, and practical considerations. Successfully navigating this intersection requires a nuanced understanding of both cultural significance and economic dynamics, ensuring that the festival not only survives but thrives in the face of evolving challenges.

Finding Balance

Experiencing Crop Over from a consumer’s perspective is a joyous dive into a cherished tradition. However, an economic analysis offers a different lens. Behind the scenes, there’s a complex web of financial considerations—budgeting, pricing strategies, sponsorship deals, and logistical costs. While consumers revel in the festivities, organizers grapple with balancing emotional resonance and economic viability. A balancing act that is no small feat. From ticket prices to vendor fees, every decision impacts the festival’s financial health and sustainability. 

Reflection

Reflecting on my experiences, my view of Crop Over has evolved. Initially, I was captivated purely by the sensory delight and emotional connection. Over time, as I’ve come to understand the economic intricacies, I appreciate the festival’s resilience and adaptability even more. It is a complex economic entity requiring meticulous planning and strategic financial decisions to thrive.

Crop Over epitomizes the heart and soul of Barbados, showcasing our creativity, and community spirit. Its continued success hinges on our ability to innovate while preserving its unique essence. More than just a festival, Crop Over celebrates our identity and enduring spirit. By navigating future challenges and opportunities, we can ensure it remains a beloved tradition for generations to come.

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Culture

Cultural Diversity On Full Display, Celebrating The Samburu And Maasai Heritage

The Maa Cultural Festival was back for its second edition, running from November 6 to November 10 at the scenic Samburu National Reserve. The festiva was held over five vibrant days showcased rich traditions as well as the cultural brilliance of the Samburu people and their Maasai neighbours. It drew attendees from Kajiado, Narok, Laikipia, Marsabit, Isiolo, and Nakuru.

The celebration displayed Maa’s unique traditions through dances, music and art. Visitors immersed themselves in authentic cultural experiences, sampling traditional meals like nyama choma and boiled meat with soup; a true gastronomic delight that enriched the cultural journey.

Along with dance music and art there was a vibrant display of Kenya’s cultural dressing as attendees bedecked themselves in beautiful beaded art worn around their necks, arms and on their garments.

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Culture

SPIRIT OF THE NATION THIS WEEKEND

Parish Ambassadors, representing the eleven parishes will show their talent, costumes and formal attire this Saturday November 16th evening at the Garfield Sobers Gymnasium the show begins at 6 pm.

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