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NIFCA Challenges highlights musical creativity

The newly introduced National Independence Festival of Creative Arts (NIFCA) Arrangers and Music Performers challenges have been lauded as a vehicle for the continuity of Barbados’ strength of the musical landscape locally and abroad.

The challenges, which seek to introduce new and competent arrangers to Barbadians as well as more fledging solo instrumentalists, are quickly gaining interest.

Thus far, out of a total of nine entries in the Arrangers Challenge, Marlon Legall and the Marlon Legall Voice Project copped the top prize in the NIFCA Music Arranger’s Challenge with a moving arrangement to the Mighty Gabby’s classic, Emmerton. 

Gary Goodridge placed second for his arrangement of Da Coa Coa Tea and Mylon Clarke, who placed third, also arranged Da Coa Coa Tea. Other participants were: Christopher Sayers, Daniel Boxill, Erin Hazlewood, James Clarke, Judah Goddard and Lizzy & Manny.

National Cultural Foundation (NCF) Cultural Officer of Music Organisation, Aisha Butcher, was pleased with the public response to the initiatives. Butcher, who was the brainchild of the challenges, explained that they came about as a result of the need to widen the pool of potential arrangers and solo instrumentalists. 

What she realised was that while the talent was there, a lot of the musicians did not have a specific opportunity to showcase it or have the confidence to let it be heard. Knowing this was a deficit, an exciting challenge was devised to put them at the forefront. In keeping with the objective of celebrating Barbados, the music had to have a Barbadian element.

“It’s not just about the challenge it is about filling a deficit in Barbados, where we are not seeing a lot of arrangers and we hear some of the same names that we know, because we are on the ground, we know the talent is out there. 

“Coming out of this, the aim is to have more workshops, more opportunities to hear their work being displayed on national stages. Just get their names out there so that we have more arrangers with varying styles to choose from.

“It also augurs well for the Barbados Community College music program as well as the University of the West Indies because they have specific classes geared towards these areas. When it comes to arranging you don’t just arrange for class anymore, you could let it translate into real life,” the Cultural Officer said. 

On the other hand, the NIFCA Music Performer’s Challenge is made up of four challenges where contestants are given five days to learn and replicate a specific part of the weekly challenge song by a well-known and celebrated musician. 

The first challenge was won by Keelan Richards who played educator and songwriter Andre Woodvine’s solo in the John King and Alison Hinds duet Hold You in a Song

Challenge #2 went to Daniel Harvey for his interpretation of a segment of world-renowned Saxophonist Arturo Tappin’s hit, Breaking Up and Kaylee Allman’s delivery of Romaro Greaves’ solo in Farmer Nappy’s Big People Party took the top spot in Challenge #3. For Challenge #4, which was announced on Sunday, participants will have to reproduce the published clip of Nicholas Brancker’s Nicalypso

In addition to $500 prize money, each winner wins an invaluable one-on-one mentorship session with the original soloist. 

Butcher stressed that while the NIFCA Performing Arts competition is still popular, this year they wanted to look more at the technical stuff and also zero in on solo instrumentalists. Hence, an opportunity for them to continue working on their craft and also expose them to local high-quality musicians through the NIFCA Music Performers Challenge was thought as necessary.

“When it comes to the Performers Challenge, we are pleased with their technical level and ability to be able to execute in a short timeframe as well. And not only just getting the pitches correct, but the lengths, phrasing, and encapsulating the tone, and the feel of the solo and being able to put that out. 

These are songs that for some of them, they don’t regularly listen to, so to be able to pick up all of these nuances is very telling of where we are in terms of technical ability. And only one person can enter one challenge, so it is not this repeated person winning, so we are seeing different faces popping up with the same technical ability. We are pleased to know that that is what’s happening on the outside and want to give them opportunities to go further with their training and development,” Butcher added. (PR)

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BEADING WORKSHOP FINISHES TODAY


Bishop Tarambawamwe runs Master Wire and Beadcraft, a South African company specialising in providing high-quality bead and wire products to both the local and international market. From growing up in Zimbabwe playing with wire cars as a child, to taking inspiration from nature for his amazing designs, he now brings his expertise to Barbados. The workshop features an all female group who will benefit from hands on training while learning how to monetise their new skillset on the way to becoming entrepreneurs.

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International Songwriting Camp

Twenty-eight cultural practitioners have reaped significant benefits from the International Songwriting Camp produced by the National Cultural Foundation (NCF).


Following intense practical, developmental and professional exercises facilitated by local and global premiers, the NCF-registered practitioners now have an increased understanding of the craft of global song writing, knowledge of publishing and songwriting, placements, licensing, and synching among other areas.


The sessions were held between September 30 and October 5, at the Lloyd Erskine Sandiford Centre where participants and producers had access to portable studios to turn penned lyrics into musical renditions of different beats and genres.


On Wednesday, the participants went on a field trip and were required to write a song for a commercial.

And on Saturday night, a listening session was held at the Sage Bar and Stage featuring the songs written and produced during the camp.


Singer and songwriter Casheda Dottin said she was grateful for the opportunity to participate in the comprehensive camp which has left her with a wealth of knowledge and skills which will take her career to another level.

“I am grateful to the NCF for bringing about this initiative to help creators improve their craft. It was such a phenomenal experience because not only were we able to do songwriting workrooms where we were working with different people, but every day we were able to experience working with different producers,” Dottin said.

She added: “And it was also interesting to see how I was able to gel with other writers and singers to create music. It was far from easy and sometimes it was very intense but we were all still able to work together to produce some wonderful music.”


Singer-songwriter and multi-instrumentalist Marley Kirton said it was an amazing experience obtaining advice and gaining knowledge from experienced professionals in the field.

“But at the same time it was so powerful to get to collaborate with local artistes who are established, growing, or trying to discover their careers. This camp is a reminder of the potential and talent among the younger generation here on the island.  My biggest lesson is learning not to hide my talents and that you should share them with those around you,” Kirton said.


The NCF came in for high praise for hosting the first songwriters camp of its kind which supports the realistic execution to reach the global standard which lends to reciprocation to earning sustainable income and reaching international standards.


Grammy Award-winning producer and composer Che Pope commended the NCF for investing in its creators.

“I don’t know if you realise that this is luxury. Many countries don’t have a ministry of culture and an NCF. There are only so many countries that invest in and care about the talent and the arts in their country.

“The US [United States] does not have a ministry of culture, the US does not give grants like Canada and places like Barbados. I hope you guys understand the opportunity that’s at hand,” Pope advised.


Composer, songwriter and producer Henk Pool was also impressed that the Government is investing in its talented young people.

Pool said while he would have passed on knowledge to the participants, he also benefited from interacting with them.

“I think the openness, warmth and talent of people was amazing. I travel around the world facilitating song writers’ camps everywhere and I would love to see Barbados song writers travelling around the world because the talent is absolutely there. They just need the chance to network and that’s why I love the Barbados government for doing this,” Pool said.


United Kingdom songwriter, producer and multi-instrumentalist Josh Wunderlich, signed to DWB Music, said this was his first time visiting Barbados and noted that working with the cultural practitioners during the camp helped him to gain a wealth of knowledge about the island’s culture.

“We have been sharing ideas and creating songs that are completely unique. No one has ever heard anything like the music created during the camp because this hasn’t been done before,” Wunderlich said.


Meanwhile, Business Development Officer, Music and Music for Film, at the NCF, Lisa Howell, said the successfully executed camp was well-received by the cultural practitioners who began reaping results from the first day.

Howell said the practitioners are now in a better position to write and produce internationally marketable songs.

“So I would say yes we met our goal for this round and hopefully we have the support to continue to facilitate programmes like this. Barbados rose to the occasion. I am really thankful that we had some of our local premier producers and songwriters facilitating. We had Dr Stedson ‘RPB’ Wiltshire who was so invested in showing up every day,” Howell said.

The business development officer added: “We had local producers like Dwain Antrobus, Peter Coppin, Darien Bailey and Simon Pipe who were also facilitators. So we not only brought in global experts in their field, but we also showed our own local premier practitioners in their respective fields and that made us feel good as the National Cultural Foundation.”  (PR)

Caption: from left to right – Singer/Songwriter Munirah Nailah, Gospel Artiste/Songwriter/Producer James Cumberbatch, Singer/Songwriter Dania, DWB Songwriter/Producer Pete Barringer, Songwriter/Producer/ Gospel Art

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BPS Crop Over Do-Flicky Costume Competition Winners Announced

Five winning teams have emerged from the recently held prize-giving ceremony of the inaugural ‘Barbados Postal Service (BPS) 2024 Crop Over Do-Flicky Costume Competition’.

The winners hail from the Post Offices of St. Joseph; St. George; Welches Road; St. Philip and the General Post Office in Cheapside.

The overall winner of the competition is the eight-member team of the General Post Office’s Accounts Section, who each received an Island Safari Tour. Second place went to the Welches Road Post Office, third was the St. Philip Post Office, fourth was the St. George Post Office and fifth place went to the St. Joseph Post Office.

Winning Teams (flanked by BPS management), of the inaugural ‘BPS Crop Over Do-Flicky Costume Competition’, from the GPO; Welches Road PO; St. Philip PO; St. George PO and the St. Joseph PO.

Postmaster General, Joann Busby, in her address to the winners, stated, “We look forward to many more events like this in the future, celebrating both our history and commitment to excellence.”

Concept Creator of the competition, BPS Marketing Officer Neiai Hall said, “This competition aims to showcase the creativity and cultural expression of our staff, through costume design and performance. The theme of the competition is rooted in our rich heritage and the vibrant spirit of Crop Over.

On left – ‘BPS Crop Over Do-Flicky Costume Competition’ 2nd Place Winning Costume, On right – ‘BPS Crop Over Do-FFlicky Costume Competition’ 3rd Place Winning Costume.

“We have encouraged participants to design costumes that not only display their creativity but also incorporate elements that represent the services offered by the BPS”.

The judging criteria consisted of Sustainability; Creativity; Depiction of a BPS Service; Originality; Portrayal; Video Creativity and Originality; Practicality and Inclusivity and Descriptive Write-Up. 

Plaques were presented to each of the winning teams and the St. Joseph Post Office also received the Postmaster General’s special award for Outstanding Advertising Video in the competition. (PR/GIS)

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